The 90th all India Art Exhibition opens as the Indian Academy of Fine Arts (IAFA) begins its landmark annual event in Amritsar. The exhibition started at the SG Thakar Singh Art Gallery, a space known for its strong contribution to Indian art. Senior BJP leader Tarun Chugh attended the ceremony along with RMS Chinna, the Chairman of IAFA. This year’s edition presents paintings, drawings, graphics, photography, and sculptures created by artists from almost every state in India.

During the past year, IAFA has worked hard to support creativity. They held around 500 art workshops with more than 400 artists, showing a major increase in participation. Furthermore, this year saw 602 artists sending in more than 1,000 artworks. Out of these, 500 pieces were chosen for display, which shows strong growth when compared to the previous year.

RMS Chinna explained that this exhibition continues the Academy’s long legacy of promoting artistic excellence and cultural discussion across India. Additionally, Tarun Chugh praised the artworks and appreciated the dedication of the artists who contributed to the event.

Dr. PS Grover, the general secretary of IAFA, described the collection as rich and diverse. He said it includes works by both new and well-known artists who represent many regions of the country. Moreover, artworks vary from traditional styles to modern themes, offering visitors a wide range of ideas and visual experiences.

The exhibition also honors talented artists each year. In this 90th edition, IAFA awarded 24 prizes for outstanding artistic achievement. One of the special awards includes a first prize of ₹1,00,000, which recognizes exceptional creativity. This focus on recognition helps new artists gain confidence and encourages more people to enter the world of art.

The All India Art Exhibition is one of the oldest platforms for visual art in India. It has supported artists for nine decades and continues to help preserve India’s cultural heritage. As Amritsar grows as a cultural center, this event brings together people from different backgrounds to enjoy art and share ideas.

Visitors to the exhibition can explore many artistic styles, from local traditions to modern concepts. In addition, the exhibition encourages conversations about creativity, innovation, and the meaning of art in today’s world. It offers a space where both artists and viewers can connect through visual expression.

The event also plays an important social role. It promotes cultural understanding and helps communities value creativity. Whether someone loves art or is new to the subject, the exhibition offers something beautiful and inspiring to experience.

In the end, the 90th all India Art Exhibition opens continues to celebrate talent, creativity, and cultural unity, giving people a chance to enjoy India’s artistic brilliance.

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As of September 30, 2025, fans received exciting news as Sunny Deol to resume shooting for Lahore 1947 . In an interview, Sunny shared how this emotional project came to life. He recently wrapped up work on Border 2, and now all eyes are on Lahore 1947, one of the year’s most awaited films. According to a Mid-Day report, shooting will restart on October 10 with a 12-day schedule.

This fresh schedule includes newly written scenes. Director Rajkumar Santoshi and Sunny plan to shoot them at real locations in Punjab. A source close to the team explained that the goal is to bring authenticity and connect the film deeply with the state’s history.

Punjab holds a special place in the story, as it was central to the partition of India in 1947. Families were displaced, and lives were changed forever. The upcoming film explores these emotions and events, giving viewers a chance to connect with the past.

The story takes inspiration from Asghar Wajahat’s famous play Jis Lahore Nai Dekhya, O Jamyai Ni. This play deals with identity, culture, and human struggles during partition. Its powerful themes continue to influence literature, theatre, and now cinema.

Mohali, known for its vibrant culture, has contributed to Punjabi cinema for decades. Many films from the region explore topics like love, displacement, and survival. Lahore 1947 fits into this tradition, reminding audiences of the importance of preserving history through art.

Generations of Punjabi families still share stories about leaving Lahore, which was once famous for its gardens, markets, and cultural richness. Therefore, the film will likely highlight these memories, showing both joy and sorrow. Moreover, Sunny’s character is expected to reflect these experiences and remind viewers of their roots.

Meanwhile, excitement is growing as the cast and crew prepare for the shoot. In fact, real locations will add a genuine feel to the narrative. Furthermore, the production team is focusing on details to ensure that the film captures both the pain and the resilience of people who lived through partition.

Sunny Deol is well-known for his powerful performances, and fans naturally expect him to bring depth to this role. Additionally, his intensity and emotional delivery often resonate with audiences. When combined with the historical setting and Santoshi’s direction, this film could truly deliver a memorable experience.

Most importantly, films like Lahore 1947 play a crucial role in sparking conversations about history and identity. Not only do they honor past generations, but they also educate younger ones. Consequently, this movie aims to bridge the gap between memory and modern understanding, ensuring lessons from history are never forgotten.

In conclusion, Sunny Deol to resume shooting for Lahore 1947 marks an important step in bringing this story to life. The project carries emotional weight, cultural depth, and historical value. With careful preparation and authentic storytelling, it promises to be a moving tribute to those who lived through partition while inspiring audiences today.

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A young girl’s voice echoed inside the Indradhanush Auditorium as she complained to her mother for missing Ravan’s grand entry. This moment captured the excitement of the Panchkula all-Women ramlila shines brightly, an event organized by Jadon se Judoo and the Reeshan Foundation. Since September 23, the auditorium has been filled with chants of “Jai Shri Ram,” bringing the spirit of the epic to life.

The Indradhanush Auditorium, which holds nearly 1,500 people, hosted over 80 women performers. They included homemakers, professionals, and students who took on iconic roles. Abha Shukla played Ram, Pallavi became Lakshman, Janvi Nagpal turned into Hanuman, and Ruchita Garg embodied Ravan. The oldest participant, Pushpa, aged 83, portrayed Rajmata, while the youngest performer, just six months old, played the newborn Ram.

Director Shyam Jaitley, a veteran in stage productions since 1976, introduced the idea of performing Ramlila indoors. He explained that theatres give audiences a focused experience. Unlike outdoor settings where people wander, here they watch with full attention. His vision changed the way the epic was performed, giving it more depth and detail.

Ekta Nagpal, founder of the NGO, said moving from a small ground performance to an auditorium gave dignity to women performers while keeping traditions alive. This transformation also elevated their status in cultural arts, making it a source of pride for the community.

Performing indoors brought new challenges. The crew shifted from a simple screen setup to seven digital screens, surround sound, and a large backdrop. Actors practiced for two months, mastering lip-sync with male voice-overs and handling quick scene changes. Anusha, who played Sita, shared that the larger stage demanded more energy and sharper movements compared to outdoor shows.

The dedication showed results. After the first show, the team reviewed recordings, adjusted lights and sound, and improved coordination. Shyam Jaitley reminded everyone that if men could once play female roles, women could now shine as warriors, kings, and sages. His statement stressed equality in art and performance.

Audience response grew stronger each night. The first evening had only half the hall filled. On the second day, the lower floor was packed, and by the third evening, the entire hall was full. Dhruv, a regular attendee from Zirakpur, said he had followed the women’s Ramlila since 2023 and never missed a show. His loyalty reflected the deep impact of the production.

For families, it was an inspiring and safe cultural outing. Roshni, a visitor, said she wished to perform next time. Rohit from Panchkula felt proud bringing his children, as the indoor theatre offered discipline, safety, and powerful performances. Many echoed that the environment gave them confidence to attend with their families.

Organizers revealed that other Ramlila committees also praised this initiative. Moreover, inspired by the success, several groups are now planning to adopt similar indoor productions. In addition, they believe that the blend of modern theatre with ancient storytelling will not only rejuvenate cultural practices but also empower women.

This all-women Ramlila was more than a stage play; it became a cultural milestone for the region. With tradition, equality, and creativity woven together, it created a powerful memory for audiences. As the curtains close, the message remains clear: Panchkula all-Women ramlila shines brightly, leaving behind inspiration, pride, and the sound of “Jai Shri Ram.”

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